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That's the main reason I still like writing Markdown (and Typst nowadays as well); I can "render" it in my head very quickly.

When I'm reading Markdown, I almost don't even see the symbols. Beginning a statement with a # immediately just looks like a heading, surrounding a word with asterisks looks italic to me, wrapping a string with backticks looks like code formatting to me, and my assumptions are generally right so I don't need to render very often (which is why the Pandoc -> LaTeX -> PDF pipeline didn't bother me that much).

If I'm writing LaTeX or something, I generally have a very rough idea of what something will look like, but it's not terribly reliable for me. I need to render frequently because my assumptions about how something is going to look is likely to be wrong.

I mostly use Typst now because it is similar enough to Markdown, and the compilation time is so categorically faster that I see little reason not to use it, but I still respect the hell out of Markdown for popularizing this kind of syntax.





I don’t even see the code. I see a blonde, brunette, red head.

That made me think - are there any depictions of Markdown in movies and tv shows? I've seen a fair share of C, Java, HTML, and (in newer works) JavaScript and Python. And Perl in The Social Network.

n.b.: the above quote is from The Matrix.


I think that was php in the social network.

I'm referring to the part where Mark was scraping the photos from the Harvard's houses face book pages.

If it is going to be accurate it is PHP.

Yeah, I don't even need a Markdown formatter. It's already in my head.



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